Othello's stature as a tragic hero.

Othellos stature as a tragic hit gentlemans gentleman is earnestly compromised by the alacrity with which he turns against his wife, and by his misery to come across any unfeigned self intimacy To what extent do you agree? Othellos stature as a tragic sub is severely compromised by the speed and liberalisation with which he turns against his wife, and by his failure to achieve any real self knowledge. In the Shakespearian tragedy of Othello, we witness the fictional character of Othello cash in ones chips from a position of control in Venetian society collect to a combination of different reasons. Othello has a deep dressing table for himself, and it is because of this he turns against his wife Desdemona with a great speed and ease. A traditional tragic hero portrays four major(ip) peculiaritys: firstly, the tragic hero is a infix of high standing(a)/esteem in the federation; secondly, there is an agency that leads to the fall of the hero whether deep down the hero himself or from an outside figure/source; the third sign is a moment of self-realisation or self-awareness and the last characteristic is that the fall of the hero results in death. Othello is portrayed as a well-respected citizen within the Venetian society. He can be seen as an intelligent and heroic phalanx leader whose skill is therefore very valuable and needed to the state and he knows this.

His military success has promoted his position within Venetian society, and as a Moor within the white reign society, he has a vehement desire to maintain his social standing, and is prepared to sacrifice a nything which threatens his reputation, whic! h leads to the eventual(prenominal) death of Desdemona. Othello is trusted by everyone in Venice being called, undismayed Othello and brave Othello and described as ...more comme il faut than black (I, iii, 286). He has been given full... If you want to get a full essay, revision it on our website: BestEssayCheap.com

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